Synopsis: A pair of outcasts meet as children and overcome social isolation and opposing ideologies to become friends and save the world.
Book Review (Rational Fiction version): This must be done in two parts, because first I must address the Rational Fiction flavor of this book! This is the most only novel I know (so far) that captures the style of Rational Fiction without being Rational Fiction itself. It’s hard to explain what I mean by this, so let’s start with the conflict.
A foundation of RatFic is that there aren’t “good” and “evil” sides (per se)–there are factions with conflicting values who are intellectually consistent and morally good to themselves, but who clash over their differences. All The Birds does this thing, as the two protagonists are from opposing ideologies and are each other’s antagonists, and whenever you are reading a chapter from the POV of one of them you identify with that character, and you realize how right and proper their actions are, and why of course they must fight the stupid/bad actions of their opposition. The next chapter switches to the other character, and you feel the exact same thing from the other side. I love that sort of thing.
Secondly, both protags are child prodigies who are socially isolated because of their gifts. This isn’t a defining feature of RatFic per se, but it is a common theme, and it’s very HPMoR-esque, which kicked off the whole RatFic genre in the first place.
Third, it is comfortable in the language/culture of transhumanism. It isn’t a treatise on the movement or anything, but the author is either familiar with the movement, or had a lot of input from people who are. This feels like it was written by someone in the scene, and it’s refreshing to read something that comes from my culture! You don’t realize how alien the overwhelming majority of the world is until you stumble across something that feels like it came from your home group, and you can love it for the comforting family tale it is. I get fuzzies just thinking about it.
Fourth, the humor is straight-up Yudkowskian. If you liked the humor of HPMoR, you’ll likely enjoy the humor here too! It is slightly absurdist, but in a way that is delightful, like the assassin’s guild that requires its members to perform pro bono hits from time to time to remain in good standing. The word play is top-notch. And there are a fair smattering of the geeky pop-culture references, done just right, that we all love (ala Forks +2).
That being said, this is explicitly NOT Rationalist Fiction! The male hero starts the novel by crafting a 2-second time machine which apparently anyone can make if they have internet access, but most people don’t, and which isn’t abused or munchkined at all. There’s a TON of these throw-away things in the novel which could potentially break the world if an enterprising hero were to munchkin them into abuse, but which are never exploited in that way, because this isn’t RatFic. It’s a story of friendship, and love, and growing up, and it focuses on THAT. As long as you don’t expect RatFic-style exploitation, and accept this as a surreal fantasy story where everyone has a blindspot as to the game-breaking-potential of all the magic/gadgets around them, you’ll enjoy the hell out of it. :)
Book Review (Traditional Version): This is a beautiful story. I don’t know if anyone read the works of Daniel Pinkwater as a kid, but this novel feels exactly like I remember those. It is surreal in a way that allows the author to focus on the parts of reality that really MATTER to the story, and seriously drill into those. The story does not give any fucks about “realism.” In Pinkwater’s Lizard Music, for example, there are talking lizards who play jazz music on public access television after midnight. In a world that otherwise makes sense. There is no explanation given, it’s just a brute fact of the story world. All The Birds In The Sky has many similar things, straight-up absurdities which are fun and which don’t need explanation (like the 2-second time machine). They are quirky and delightful, and put you in the frame of mind that this is a fantasy for precocious, imaginative people that are willing to revert to a more child-like play state for the duration of a novel.
This is important, because much of this novel is an exploration of how we move from being wonder-filled children to jaded adults. Sooooo much of it is a commentary on Adulting. On trying to stay true to yourself in a world filled with mundane madness, with a sanity waterline so low it drives you to exasperation… and maybe conformity? This is a paean to anyone who still uses Adulting as a verb to proudly describe things they sometimes do, rather than a noun describing what they are.
And oh god, the childhood of these characters. It is my childhood. It is angst and isolation, and thinking if maybe you can do this one glorious thing it will all be different… but it never is. The parents are absurdly extreme in a way no real humans are, but in a way that speaks to the emotional reality of what it is to be a child. It sacrifices literalism to get to the emotional core of a world dominated by overwhelmingly powerful beings who cannot relate to or fully understand you.
The teen years too! The sexual struggles of the male character are the most true-to-life of any novel I’ve read, and I think it says something that a surrealist YA novel has come so much closer to portraying realistic sexuality than anything trying to be Serious and Literary.
The prose itself is just fantastic too. After a love scene between the male protagonist and his then-girlfriend, the final paragraph ends with
“When Laurence got back to bed, Serafina had fallen into a cold sleep, and her elbow jutted into him.”
It just ends like that, flat. And it’s the most beautiful way to say “They do not fit together. This relationship is awkward and uncomfortable and doomed to failure.” Because instead of just telling us that, it shows us it in the most physically-literal way possible. In just one sentence, describing a single action. And yet everything is wrapped up in exactly that one line, and it hits you and lingers, because that one line is all it took, and it did it via demonstration. There’s a number of these literary feats sprinkled throughout this book, and it’s perfect every time.
Also, it is written exactly the way I would talk with my friends! For example, there’s even a part where the two characters try to speak at once, and the next sentence is literally:
Then they were both like “You first.”
Which is awesome. :)
The book has a few weaknesses. Patricia’s stay at the Magic School (and the resulting Siberia Incident) never felt very fleshed-out or compelling to me. And the ending was a bit weak. But the beauty and wonder made up for it, for me. I don’t want to over-hype this, because nothing can live up to too much praise, and then one is disappointed. But I certainly enjoyed it. Highly Recommended.
Book Club Review: This review has gone on for quite a while already, so I’ll try to make this short. Not everyone liked this book as much. A couple of our members just couldn’t swallow the absurdist aspects. However, as a commentary on what sort of world we have built for ourselves as we became adults, and how we changed to accommodate that, it did give a group a couple interesting lines of conversation to talk about. The way it portrays environmentalism vs humanism, and the recklessness of over-ambitious leaders, is also intriguing. The fact that it isn’t too long and is a pleasant read helped with completion and turn out as well. Overall, this is makes for good book club reading/discussion. Recommended.