This is in regards to “The Stone Sky”, which I just reviewed.
MAJOR spoilers below.
Let’s say that the fate of the world depends on you being in a specific city, at a specific time, about one week from now. Transportation isn’t an issue, you can get there in about an hour. But you have to physically be there, or literally the human race goes extinct. Do you:
A. Make sure you get there at least a day early, so you have plenty of time to check out the city, get situated, and leave a margin of error for any sort of SNAFU that crop up?
B. Spend a few days loafing, saying goodbye to all your friends, and the morning of the fateful hour eat a leisurely breakfast where you all screw around and bond for a bit, before leaving at a time that’ll ensure you’ll get to where you need to be with no more than fifteen minutes to spare?
Unless you are a fucking idiot, you go with A. In fact, I can’t think of anyone, even the world’s most fucking idiot, that would go with B, because fate of all of humanity. GET THERE EARLY. And yet, Essun chooses B. And it’s painfully obvious why.
The main source of conflict in the climax is the same source of conflict of every bad RomCom ever — the two protagonists don’t spend five damn minutes to just talk to each other! All the heartache and misunderstanding (and in bad RomComs, the entire plot) evaporates if the two protagonists would just sit down and have a short freakin’ conversation. This is why Essun waits until the last minute to go to the Appointed Location. If she got there any earlier there wouldn’t be time pressure preventing her from talking with her daughter, Nassun would discover she has options other than “kill everyone”, Essun would discover she could gift everyone with infinite life, and there wouldn’t be the Mother vs Daughter conflict that Jemisin wants.
As much as I love everything else Jemisin has done, this is just plain bad writing. There are dozens of ways to force Essun and Nassun into conflict that don’t involve “We don’t have five minutes to share knowledge.” Or, though less satisfying, if we really want to stick with time-pressure, there’s hundreds of reasonable ways to prevent Essun from getting to the Appointed Location until the last minute that don’t require her (and everyone in her entourage) to hold The Idiot Ball for days. None of these options were taken. Instead we get a forced climax that relies on a ridiculous contrivance.
Also, as long as I’m complaining, Nassun’s sudden switch to “Instead of killing everyone, let’s make everyone immortal!” was jarring. This would have been a far better book if she’d been given the “I can make everyone immortal” information right up front, so her role would have been the (Misguided?) Savior, which is entirely believable for someone her age, who has a loving and supportive father at her side at all times. Far better than the Destroyer role she was inelegantly forced into.
To be honest, I’m only harsh on this book because the first one was sooooo good. The Stone Sky is still better than 90% of the stuff out there! It’s mostly out of frustration for seeing awesomeness fall apart in the third book that I complain. But hey, this is not my book, I’m just a reader with his own agenda and opinions. Jemisin may very rightly say “Screw off, this is my book, and I wrote it just how I wanted it. You think you could write a better book? You try it!” Fair enough. I know people who love this book just as much as the first one in the trilogy. But this is my post of mourning, so take it as you will.